El objetivo principal del estudio es establecer una nueva estrategia docente en el aprendizaje de las habilidades no técnicas en los estudiantes de medicina mediante la simulación en un entorno real. Para ello, utilizamos un escenario real: la Unidad Médica de Aeroevacuación (UMAER) situada en la Base Aérea de Torrejón (Madrid), donde los estudiantes de medicina de la Universidad Complutense de Madrid realizaron la simulación de aerotransporte de pacientes críticos en un entorno bélico real. Los resultados del presente trabajo muestran (...) la eficacia de la simulación en el aprendizaje de las habilidades no técnicas en los estudiantes de medicina. (shrink)

Trust in vaccination is eroding, and attitudes about vaccination have become more polarized. This is an observational study of Twitter analyzing the impact that COVID-19 had on vaccine discourse. We identify the actors, the language they use, how their language changed, and what can explain this change. First, we find that authors cluster into several large, interpretable groups, and that the discourse was greatly affected by American partisan politics. Over the course of our study, both Republicans and Democrats entered the (...) vaccine conversation in large numbers, forming coalitions with Antivaxxers and public health organizations, respectively. After the pandemic was officially declared, the interactions between these groups increased. Second, we show that the moral and non-moral language used by the various communities converged in interesting and informative ways. Finally, vector autoregression analysis indicates that differential responses to public health measures are likely part of what drove this convergence. Taken together, our results suggest that polarization around vaccination discourse in the context of COVID-19 was ultimately driven by a trust-first dynamic of political engagement. (shrink)

If we classify ethical theories into ‘immanentist’ (those that detect what is ethically acceptable in some type of world events, such as the utilitarian growth of general benefits) and ‘transcendentalist’ (those that locate in some space beyond this world the reason why we should behave ethically – for example, due to some kind of otherworldly reward –), then the moral philosophy of the so-called ‘first’ Wittgenstein would occupy a special place between both extremes of such a dichotomy. To a certain (...) extent, it could be said that the ethical proposal of Wittgenstein during his years composing the Tractatus Logico-philosophicus maintains a delicate balance that avoids both its exclusive submission to transcendental instances (fundamentals), and its total assimilation by immanent motivations (benefits) when justifying the fact of acting in a correct way. In this article we will look at such a Wittgensteinian pirouette between both members of the transcendent-immanent dualism, and we will suggest that the peculiar place where he leaves ethics, between the heavenly and the earthly, may not be completely alien to some thesis of the Christian religion. (shrink)

Colombia has been structured by war, and this situation has permeated the country’s art, with variations that go hand in hand with the transformations of violence. In this chapter, I delve into the work of filmmaker Nicolás Rincón-Gille. What I explore as remarkable in his films is how violence does not “monopolize everything else” but makes life count in the face of the brutal effects of devastation. What persists in these films is the capacity of those who have lived through (...) and been traversed by destruction to reposition themselves in what remains and their ability to give an account of what happened to them by finding everyday resources to deal with it. Thus, these films can break away from the identifications that bind victims to a place of impotence by exploring their capacities, perceptions of the conflict, and experiences of mourning and creating, through this exploration, dissensual works of memory. (shrink)

This volume is the result of a thorough exploration of contemporary conceptions of romantic love from different points of view. Beginning with an initial text where the meanings of romantic love are discussed theoretically and historically, the contributions gathered here present current discussions about love in the present day and in different geographical contexts that range from Hungary to Italy or Spain. The first part of the book is devoted to the analysis of mobilities for the sake of love as (...) a result of globalization. These mobilities are analysed in relation to love ideals, to gender equality and to online searches for the ideal partners. The second part of the book deals with the exploration of different imaginaries of love in particular geographical contexts. The topics dealt with here include love as sickness, love and violence, love ideals for men engaged in gender equality and love ideals for those who engage in cross-dressing practices. In the third part, writing about and for love is addressed. Love writings to the beloved dead, teenage girlsâ (TM) blogs and bestsellers such as Fifty Shades of Grey are discussed in particular detail. This book addresses current conceptions of romantic love in different social groups through different practices and in different countries, and shows that, despite the variability of discourses, experiences and practices related to love, a number of ideas of what love should be like â " related to the Western ideals of romantic love â " persist in all these contexts. The contributions to this volume are derived from extensive fieldwork and ethnographic research, and will be of undoubted interest for the academic milieu. However, given the topic it deals with, the book will also appeal to the general public, who will find in these pages many â ~love storiesâ (TM) derived from the detailed study of the society which we inhabit and the ideals of love that we breathe. (shrink)

This article tries to display some of the postulations that the German psychologist Rudolf Arnheim sketched out in his 1959 text Form and the consumer. It’s sustained that these postulations conclude that the artistic form is widely implicated in the confrontation of culture and a particular time, so if a crisis in form is to be taken as true, what is to come is an epochal twilight produced by a destabilization in its sense. Throughout this writing, the idea of a (...) crisis in culture is to be confronted with the apparent symbolic crisis of art, examining the consequent question about the loss of a narrative in the work of art. (shrink)

With and beyond the political philosophy of Jacques Rancière, this book rethinks critical agency and its emancipatory effects today through an examination of the body.

In lieu of an abstract, here is a brief excerpt of the content:diacritics 30.1 (2000) 78-88 [Access article in PDF] Kierkegaardian seduction, or the aesthetic actio(nes) in distans Begonya Saez Tajafuerce The one who cannot seduce people cannot save them either. --Søren Kierkegaard, Papirer IX A 383 Being an heir of Romanticism, Søren Kierkegaard appropriates the figure of seduction in his works and thought, yet he does so in a critical and unconventional manner. For Kierkegaard, seduction can no longer be (...) described or conceived of as an exclusively aesthetic undertaking, as the sheer fulfillment of pleasure and desire, as the factual consolidation of immediacy and sensuousness, but, on the contrary, seduction must be redescribed and reconceived within the realm of ethics or, to be more precise, within the confinium or border area between ethics and aesthetics. In this sui generis no-man's-land, which to a certain extent is formally inaugurated and categorially established by the notion of aesthetic action, as we will see--resides the ethical seduction.In effect, such a reconception of seduction presupposes an organic and dialectic recomprehension of the well-known Kierkegaardian theory of the stages, according to which any significant relation between the aesthetic and the ethical is not grounded on the evident divergences between both but, on the contrary, on their coadjuvancy. The point is that neither the aesthetic nor the ethical can or should be understood if disconnected, if incommensurably read, if seen only in the light of (an) Either/Or [E/O 1, 2].Forged within the aforementioned ambivalent frame, the Kierkegaardian figure of seduction becomes more than just a category, a sheer theoretic or analytic tool to reflect upon existence: it becomes a literary strategy as well, of philosophical and specifically ethical signification.Through an examination of some texts of E/O 1 (especially "The Seducer's Diary") and of Kierkegaard's journals and papers, I will pursue a typology of seduction with three modes: the musical seduction, or Don Juan's; the linguistic seduction, or Faust's; and the literary seduction, or Johannes's. The johannesque seduction will be stressed as the first janus frontis of the dilemma between the aesthetic and the ethical stages, to blur the conventional differences between both. Then I will bring Johannes, the seducer, and A, the aesthete, close to each other in order to illuminate what might be understood as [End Page 78] the aesthetic action. It will be argued that the aesthetic can no longer be deprived of all pragmatic connotations. Therewith, not only are the limits or chiasm between aesthetics and ethics blurred, but a common categorial space is established. The paradigmatic action in this context will be the johannesque actio(nes) in distans, that is, the second janus frontis of our dilemma. Finally, I will briefly consider Søren Kierkegaard's own aesthetic action or actio(nes) in distans, that is, his own literary practice. Seducers: Don Juan and Faust A typological consideration of the figure of seduction in E/O 1 quickly makes it clear that Kierkegaard's main source of inspiration, or rather of conceptual kleptomania, is to be found in Romanticism. 1 In this spirit, A, the aesthete, would let himself be brought from reflection to reflection, from insight to insight, and from glimpse to glimpse, by the experienced guiding hands of (his colleagues) Don Juan and Faust.In 1836, several years before the publication of E/O, where Don Juan and Faust are characterized as and related to the phenomenological realm of the demonic (det dœmoniske), Kierkegaard significantly writes in his journals that both cases, or figures, incarnate two "ideas," that is, two paradigmatic vital ideals or even two conceptions of life, which take shape "beyond the religious" [Pap I A 150]. 2 Consequently, seduction presupposes a nonreligious conception and/or way of life. It seems unclear, however, whether seduction presupposes, as Judge Wilhelm claims it does, a full rejection of the ethical. In E/O 2 Wilhelm states that all seducers share the virtue of holding the "ethical determinations" in check [SKS 3: 196], but he is by no means aware of what the game may... (shrink)

In this article, Laura Quintana elaborates on a conceptual distinction between violence and rage. Along with this distinction, she recognises that while rage may possess a destructive potential, it can also be politicised in emancipatory practices that confront conditions of injustice and structural violence. Her analysis centers on contemporary political movements in Latin America, which she views as collective manifestations of rage. Within these movements, the manifestation of rage is intertwined with forms of care and communal labor. Quintana (...) characterises such movements as embodying a “dignified rage” (digna rabia) that calls for an emancipatory transformation of the status quo. She contends that these practices can be understood in terms of the notion of “anti-violence,” as it has been coined by Étienne Balibar. In this she diverges from Judith Butler, since, according to Quintana’s analysis, such practices challenge the demand for non-violence that has often served to neutralise the disruptive force of such manifestations and movements. (shrink)

Leeremos la hermenéutica nihilista de G. Vattimo como continuación del pensar de Wittgenstein en su argumento sobre el significado de "seguir una regla". Para ello definimos como "metafísicas" las posturas epistemológicas que otorgan a una instancia independiente de la acción de los sujetos la autoridad sobre la corrección de sus prácticas comunicativas, y como postmetafísicas aquellas que consideran tal instancia como dependiente de la acción de los participantes en las prácticas. Wittgenstein demuestra en su tratamiento de las reglas que la (...) determinación de la corrección de acuerdos a éstas no puede sino depender de la historia y voluntad de los sujetos que participan en su mantenimiento. Esta visión postmetafísica, aunque historiza las reglas, puede abocar al inmovilismo que resulta de la imposibilidad para la filosofia de legitimar una crítica o juicio propios, debido a la carencia de un apoyo metafísico para ello. En este punto el nihilismo vattimiano resalta la posibilidad, compartiendo el diagnóstico wittgensteiniano, de hacer precisamente de los elementos antimetafísicos de éste la propuesta que cabe hacer hacia otros ámbitos de la cultura, a menudo aún demasiado metafísicos. (shrink)

El artículo analiza hasta que punto puede equipararse la labor del traductor con la de realizar una interpretación de los textos sobre los que trabaja. Utilizaremos para ello instrumental tanto de la tradición de la filosofía hermenéutica (especialmente Hans-Georg Gadamer) como de la inspirada en la obra de Ludwig Wittgenstein. La conclusión intenta mostrar las fuertes diferencias que existen entre traducir e interpretar, y con ello entender mejor qué quiere decir realmente la idea de "universalidad hermenéutica" que funda la citada (...) tradición de filosofía ídem. (shrink)

Partiendo de algunas experiencias del presente, se retoma la interpretación nietzs- cheana del resentimiento para explorar la complejidad y ambivalencia del fenómeno e iluminar cuestiones actuales. Así, se vinculan dos tendencias y sus implicaciones: (i) cómo el resentimiento genera la fijación de una identidad amenazadora que lleva a la estigmatización de un otro, a la vez como una forma de rechazo de la contingencia histórica; (ii) y cómo el vínculo del resentimiento con la temporalidad, en particular con un tipo de (...) memoria, produce una incapacidad para asumirla creadoramente. Esta reflexión deja abiertas preguntas sobre cómo los cuerpos afectados por el resen- timiento pueden revertirlo y dar lugar a formas más vitales de relación con el mundo. (shrink)

This article claims that capitalism is not a homogeneous logic but a heterogeneous regime, deployed in multiple practices, forms of knowledge, techniques, and temporalities that have become embodied, created spaces, and participated in different forms of life. Subsequently, within the ruination capitalism has produced, it is possible for political and economic reconfigurations to arise. What is at stake here are possibilities for critical agency today, particularly in contexts ruined by forms of intensive exploitation, contexts where a collective desire to be (...) different seems to have spent itself but can in fact emerge in new ways. (shrink)

This article discusses whether, from Hannah Arendt’s point of view, the being-in-common of singularities can be conceived in terms of mutual recognition. Although it is shown that Arendt’s theory of action involves the idea that the identity of singularities is relational, it is also stressed that it is a fluid identity, thrown into contingency. Therefore, it is not a more solid self consciousness what individuals achieve when they open themselves to each other and when they recognize themselves in their difference. (...) What they achieve is to be exposed to the fact of coexistence, to an experience of plurality in which others are more than just a mirror in which they recognize and affirm themselves. (shrink)

Increasingly sophisticated and expensive medical technologies, chronic illness and aging, and a population that insists upon the best health care and coverage, together demand that priorities be set in the public funding of health care. This article describes Spanish initiatives in dealing with such problems and analyses the ethical implications of health care legislation and rationing.

La categoría "potencia" va unida, en principio, a las ideas de posibilidad e idealidad. Esto puede llevar a pensar que la concepción spinoziana del derecho como potencia abre paso a una utopía jurídica y a la atribución al derecho de un significado axiológico. En este artículo se muestra que, sin embargo, en la filosofía del derecho de Spinoza encontramos elementos que favorecen más bien un positivismo jurídico: una teoría que reduce el derecho natural y el derecho positivo a facticidad privándolos (...) de toda dimensión utópica y normativa. Es la razón por la que Bloch identifica como positivismo jurídico la concepción spinoziana del derecho como potencia. Pero se muestra asimismo en el artículo que es posible encontrar también en esta concepción otros elementos, a los que Bloch no presta la debida atención, que permiten atribuir un significado ideal y un papel normativo a la spinoziana vinculación del derecho a potencia. En la conclusión se indica la gran dificultad con la que se topa esta interpretación: el determinismo spinoziano. (shrink)

Algunos autores han sostenido que es posible que en el pasaje de la mano invisible, en La teoría de los sentimientos morales, Smith esté contestando a Rousseau. Esta hipótesis se basa en una fraseología similar que usan tanto Smith como Rousseau en el Discurso sobre el origen de la desigualdad. En esta nota se mostrará que es posible realizar una distinción importante con relación al período histórico que Smith está analizando en el pasaje de la mano invisible de TSM IV: (...) 10 y el que Rousseau está analizando en el Discurso sobre el origen de la desigualdad, a pesar de la fraseología similar con relación a las rudas selvas de la naturaleza. Some authors have contended that it is possible that Smith is answering Rousseau in The Theory of Moral Sentiments. This hypothesis is based on a similar phraseology used both by Smith and by Rousseau in the Discourse on the Origin of Inequality. In this note, a clear distinction will be made. In the aforementioned works, Rousseau and Smith refer to different periods of time, in spite of the similar phraseology used in relation to "the rude forests of nature". (shrink)

This article contends that Jacques Rancière’s aesthetic understanding of corporeality is central to his interpretation of intellectual emancipation. Concretely, I will argue that Rancière’s aesthetic understanding can be viewed as a torsion of a body that affects its vital arrangements, which thereby open paths for political emancipation. I will support my claim with Rancière’s reading of the plebeian philosopher Gauny, as well as works that have not been sufficiently considered in secondary literature, such as The Nights of Labor and The (...) Ignorant Schoolmaster. My reading will, I maintain, help to question common interpretations of emancipation in Rancière that tend to read this notion either in dichotomous terms or as a merely ephemeral, evental practice with no concrete conditions of possibility and without long-lasting or verifiable effects in the world. (shrink)

En los últimos cursos impartidos por Foucault, la noción de la parrhesía se presenta como un elemento clave en su estudio sobre los discursos de verdad. Opuesta a esta noción, es frecuente encontrar la retórica como técnica de persuasión desvinculada de la verdad. En este artículo analizamos algunas de las formas en que Foucault vincula y opone parrhesía y retórica, partiendo de la tesis de que la parrhesía sería aquel tipo de práctica de la verdad que vendría a marcar la (...) distancia entre el discurso de verdad y el discurso falaz. La problemática que se genera en torno a ese límite deriva de la dificultad por establecer un criterio de distinción entre dos modos de ser del discurso, con sus propias formas de veridicción: el parresiástico y el retórico. (shrink)

Una importante amenaza para la comunicación intercultu-ral es el relativismo: la idea de que cada cultura es tan diferente a las demás que resulta imposible entender nada de una de ellas desde cualquier otra. Se trata, de hecho, de una noción que cobró cierto éxito en diversas áreas del saber durante el siglo XX. Para oponerse a ella, los filósofos a menudo han intentado encontrar qué es lo que sí tienen todas las culturas en común, con el propósito de que (...) sirva de punto de apoyo para la comprensión mutua. En este artículo, empero, intentamos mostrar cómo cabe refutar las ideas del relativismo sin tener a la vez que comprometerse con una u otra idea de lo que presunta-mente puedan tener todas las culturas en común. El pensamiento de Richard Rorty será el que nos sirva de guía para ello. Veremos por qué, según este autor, el relativismo puede considerarse en realidad una idea incomprensible y, por tanto, que puede ser abandonada; y por qué, aunque nos confesemos etnocéntricos (como él se confesaba), ello no nos cierra a la comunicación con otras culturas, sino que, bien al con-trario, nos invita a entenderlas y a ampliar con ello nuestra propia comprensión de nosotros mismos. El uso de argumentos filosóficos tomados tanto de la epistemología elaborada por Donald Davidson, como de la historia del liberalismo político, nos resultarán fecundos en ambos empeños. (shrink)

El nacionalismo ha sido una de las ideologías más características de la Modernidad, y ha reproducido en la tensión entre la “nación política” (Rousseau) y la “nación cultural” (Herder) la escisión típicamente moderna entre lo subjetivo y lo objetivo. Cuando estas categorizaciones filosóficas son puestas en cuestión por la crisis de la Modernidad típica de nuestro tiempo, ese cuestionamiento repercute en el nacionalismo subsidiario de ellas, y obliga a replantear qué sentido plausible pueda tener éste para nosotros. Mi investigación se (...) propone esbozar levemente en qué sentido iría una crítica hermenéutica a los dos tipos de nacionalismo moderno, y la propuesta que desde este mismo modo de pensar se ofrece para entender de un modo más adecuado la categoría de “nación”. La figura de Miguel de Unamuno nos sirve de hilo conductor como posible precursor de un modo de pensar hermenéutico asombrosamente actual sobre la crisis mencionada. (shrink)

El presente trabajo tiene por propósito exponer —desde las consideraciones de Nancy y Kant—, el modo en que la libertad sólo puede ser pensada en su plena radicalidad, cuando es asumida desde una clave histórica. Aunque Nancy critique a Kant la identificación de Idea y Libertad, reconoce en el filósofo de Königsberg el haber visualizado un «más allá de la idea». El «más allá», de acuerdo a Nancy, es ubicado por Kant simplemente en la realidad objetiva de la idea de (...) libertad. A nuestro juicio, dicho «más allá de la idea» se incrusta y nutre de las reflexiones históricas y jurídicas kantianas. Este hecho, permite crear un terreno común para el diálogo entre la posición kantiana y la fenomenológica: libertad e historia constituyen una unidad indisoluble. (shrink)

El proyecto humanista de la modernidad requería que no hubiera un pecado original, tal como sostuvo el cristianismo, que impidiera alcanzar cada vez mayores cuotas de libertad y progreso. Así, los ilustrados hablaron de las condiciones sociales y políticas que podían obstaculizar el progreso humano, pero no de limitaciones inherentes a la naturaleza humana. Por pecado original entendemos, con la tradición teológica, aquel defecto de base que nos impide alcanzar ciertos bienes. Con el paso de los siglos, algunas consecuencias indeseadas (...) de la modernidad han llevado a ciertos humanistas a intentar una reforma de las ideas básicas de su propia filosofía. Sus reflexiones, centradas en la vulnerabilidad, secularizan —en un sentido funcional e indirecto— la vieja idea del pecado original para pensar los límites inherentes a nuestra condición. (shrink)